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From green’s perspective, blue is hubristic and unwilling to hear the wisdom of the ages; from blue’s perspective, green is complacent and stuck in its ways. Learning the color system doesn’t really give me new information — it’s just an intuition pump, an extra library imported to my script. It’s solemn, but without sadness; joyful, but without ego. Creature 1. This is where I get the greatest benefit from the color wheel, myself — in interpreting how and why people have the reactions they have to various stimuli, and in predicting what they’ll do next. Although the enemy colors are defined by their disagreement, they can also have a harmony of their own. Notable black/green characters are hard to come by, but they include Lilith, Bagheera from The Jungle Book, and Poison Ivy from Batman. White and blue disagree about individual sovereignty, with white siding with green and blue siding with black. And green’s serenity ties into the fundamental belief that life is good, which is shared by both red and white. But it did make it better — that was a good day, for my friend, and in addition to the object level benefits of a day at the beach, I was able to stop kicking them accidentally while they were down. A green/blue agent asks the question what do I not yet understand? How this works in actual gameplay is irrelevant to this post, which instead exists to explore the philosophy of the MTG color wheel, and how that philosophy is a near-enough-to-be-thought-provoking match for reality. It’s a world where everything is out of place — where nothing truly even has a place — a constant parade of divorces and suicides and famines and extinctions, where things like global warming and eugenics and welfare programs with misaligned incentives happen all the time. A white character who’s depressed is going to want to do exercise routines and contracts-to-call. It is capable of cooperation and alliance, but only consequentially, as in game theory; at its core, black is amoral, not immoral, since it doesn’t think morality is even really a Thing. The key recognition is that all of these ways of being are okay. If I see someone vigorously defending their autonomy and freedom and refusing to make solid commitments, I tentatively tag them red-black. Examples include Daredevil, Robin Hood, and the Weasley twins from Harry Potter (Gryffindor is a red/white House), as well as V from V for Vendetta and Prince Zuko from Avatar: The Last Airbender (at least, near the end of their arcs).Captain Kirk is red/white where Picard is white/blue, and Albus Dumbledore was red/white in his youth before his war with Grindelwald matured him. Red seeks freedom, and it tries to achieve that freedom through action. The centaur society in HPMOR is green, in that they had sworn not to set themselves against destiny, even if it meant the end of all things. White and black disagree about the relationship between the individual and the group. “Dunno. In the 2016 presidential race, Bernie Sanders was attempting to position himself as the red/white candidate in contrast to Clinton’s blue/white and Trump’s red/black, and there are strong red/white motivations in the people who continue to support his platform and push back against the current political status quo. A world without green, on the other hand, is a world unmoored from reality and disconnected from its own history. A green/white agent asks the question what’s fair and good? Multicolored cards tend to combine the philosophy and mechanics of all the colors used in the spell's cost. Buffy (the vampire slayer) has other colors but moves toward green as she embraces her destiny and, on the more feral side, Wolverine from X-Men often acts from green. All of the colors can feel strong emotion, but red responds to them by following them, while blue responds to them by investigating them. Blue believes that the best results will be achieved if you think carefully and let reason and logic carry the day, while red believes that it’s too easy to waste time and talk yourself in circles, and that you should instead follow your heart and listen to your gut. A red one is going to want fewer constraints, and permission to just feel. Lisa from The Simpsons is blue, and Ravenclaw House from Harry Potter exists to serve blue students. In the game of Magic, black cards are vampires and necromancers, demons and horrors, kill spells and resurrection spells and sacrificial spells that trade life and creatures for power and pain. Red’s spontaneity lies in a middle ground between green’s wildness and black’s ego-centrism. It’s a world where the rules never change, where the assumptions are never questioned, a world without teenage love and modern art and violent protests and spur-of-the-moment adventures. What’s left is pleasant, but there’s no soul at the core of it — nothing that burns with the hunger for something more. It’s a world full of bold schemes that fail to pan out, disasters that take generations to build momentum but are noticed too late. A black agent might try to create a strip mine; a green agent is more likely to build an animal sanctuary. Green is the color of evolution and thriving, and believes in balance and evolved order, wanting to preserve the existing status quo. Green is the color of evolution and thriving, and believes in balance and evolved order, wanting to preserve the existing status quo. Rarely do you see someone who equally embodies each of four or five colors, even though many people are capable of embodying any, in a pinch. Red characters in popular culture include Toph Beifong from Avatar: The Last Airbender, Wile E. Coyote from Looney Toons, both Romeo and Juliet, and Kramer from Seinfeld. Black and green share a sense of profanity (by which I don’t mean anything to do with foul language, but rather the absence of the sacred and the clean). A white agent, when presented with a decision or quandary, asks what is the right course of action to take, where “right” depends on their moral or cultural framework. This is a feature, not a bug; blue and black are allies and part of that alliance is a shared frustration with their common enemy. New old player here. Circe from The Odyssey is black/green, as are the eponymous Shrek and Frankenstein’s Monster. A black agent, when presented with a decision or quandary, asks what course of action will leave me best off, where “best off” includes having power, influence, safety, and wealth, as well as having moved closer to one’s goals. Can I extrapolate from a sense of what color they are, to narrow the field of what sorts of things they might be defending? (Note that “tribalism” is more a thing that can describe the W/B philosophy than the thing. Magic: The Gathering is a fantasy card game by Richard Garfield, Ph.D. and Wizards of the Coast centered on a “color wheel” in which five distinct colors in a particular order represent five different flavors of magic. Eight-and-a-Half-Tails Enchantment 1. Victory for a blue agent feels like clarity, revelation, actualization, conclusion — a final puzzle piece clicking into place, or the last note of a perfect symphonic performance. For a red agent, victory feels fiery, beautiful, magnificent, and fierce — it’s the climax of a dance or a brawl or a love affair, the feeling of cresting a summit or having successfully ridden a wave. A white/blue agent asks the question how do we know what’s right and good? Someone told me about MTGA and immediately downloaded it. Often, a person who’s three colors won’t draw evenly from all three — for instance, someone who’s blue-black-red might identify heavily with blue-black’s growth mindset and red’s sense of presence and passion, but not particularly resonate with “creativity” or “independence.” But for the sake of argument, you could imagine a balanced trio as [the sum of its two-color connections] and [the absence of whatever the two remaining colors agree upon]. Blue believes that things could be almost arbitrarily good if we could all just figure out the truth, and then apply that understanding to its fullest extent. Blue seeks perfection, and it tries to achieve that perfection through the pursuit of knowledge. I myself am green/blue with a strong splash of red, though this post has largely been white in both motivation and execution (and thus a bit outside my comfort zone). A white/black agent asks the question who’s in my circle of concern? It’s a place where you eat and eat and eat, but you never feel truly full. It’s not like this intervention fixed everything, of course. A black/green agent asks the question what costs must be paid to achieve the ideal? If I see someone staunchly defending the status quo, I boost my credence in a label of green-white. Any place you want to go?”. Similarly, emotions like love and hate can crop up in every color, as can characteristics like compassion or gregariousness or elegance — the difference is in how people respond to those emotions and those characteristics. Beyond three colors, though, you start to lose the point of the color wheel, which is to serve as an intuition pump and a correlative, predictive archetype set. It’s necromantic magic and dank, fetid caves and the laughter of mad, inscrutable gods whose wrath and clemency are both beyond the need for justification. In the next few weeks, your wiki will be migrated to a Fandom.com domain. Now what do we do with it? In essence: classify things, and then make predictions based on those classifications. Some of the institutions above may lean in the direction of red or blue, but they’re primarily green/white. This project isn’t going well. Color changers are effects or spells that change a spell or permanent to a particular color (mostly until end of turn). Obviously, it’s good to be able to paint with all the colors of the wheel, and to have in your own personal toolkit access to the strengths and perspectives of all five (just as it’s good to embody the virtues of every Hogwarts house, and to be able to access every chakra). But color identity isn’t about what you can and can’t do, it’s about where you tend to live. They both agree on community — that the whole can be greater than the sum of its parts, and that there are things larger than oneself that are worth sacrificing for. My friend keeps doing the same annoying thing over and over and over again. 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Are we in right now solution to all suffering and unhappiness mtga color challenge white vs green coordination cooperation...

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